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一(🈯)直作為米路斯．科曼(màn )劇本鐵(tiě )三角（(🍩)另(lìng )一(🌰)位(wèi )是帕培錫，也(yě )是(🕰)本片編(biān )(🍥)劇之一(🎗)）成員(yuán )的(🐉)艾雲．巴薩，當然也走低度戲劇(👋)路(lù )線。同是音樂(♑)家(jiā )(📼)的彼德與卡(kǎ )洛老友重(chóng )逢(féng )(🤷)，生活(huó )狀況大(dà )不(🙍)同，你有伴侶我有家庭，然(rán )而(ér )都有說不(bú )出的不明朗，唯(🚑)有以酒與音樂代替(tì )口(💞)水。全(quán )片推展不問目(🌚)的，只在剎那間的意(💱)圖，行(🎛)行企企比(🥔)起科曼(🙂)更(gèng )(📙)義(🔝)無反(🐑)顧，卻有(yǒu )(🤸)生活淡(㊙)如流(🙀)水(🙉)的詩意和繆思，叫觀眾聯想(xiǎng )到二十年(⛳)後的伊力(⛳)．盧馬。巴(bā )薩鍾愛音樂(lè )的(⚾)程(chéng )度不下(xià )於文字和(💝)電影，古典音樂與(yǔ )民間音(🦇)樂於(yú )全(➡)片迴轉迴(huí )盪，難(nán )怪(guài )成了奇斯洛(luò )夫斯基十(💯)大心(xīn )愛電影之(zhī )一(yī )(🐡)。 (🔍) 康城(⏲)影(📛)展青(👌)年評審團獎，美國全(quán )國(🍽)影評(🔞)人協(xié )(🚲)會特(tè )別獎 (🐖) 這(zhè )部1966年的珍品，是捷克(👛)新浪潮(cháo )短(duǎn )暫生(shēng )命中最(🐂)佳(jiā )(👚)作(zuò )品之一。成名音樂家到(dào )小鎮(zhèn )探訪舊同學，舊同學是個窮音(🈳)樂(lè )教師，有時在(zài )喪禮上吹(chuī )奏樂曲。平(píng )凡的素(💨)材在巴(🛃)素手(shǒu )裡，變出風(🐇)趣復罕(hǎn )見(jiàn )的旋律，一(🌒)部(🎁)憂(yōu )鬱的(de )喜劇，或灰色喜劇。 - Dave Kehr, Chicago Reader (🔰) Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. (✔)- Elliott Stein, Village Voice (🌓) Source HKIFF Czech New Wave 2006
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